After 1945, there was understandably a long period of abstinence towards Wagner in the Soviet Union. The critic Eduard Stark had watched Wagner’s works disappear from the repertoire one by one in the thirties. Before he learned of the unexpected decision to stage Die Walküre at the Bolshoi in 1940 (which was of course…
Keep reading with a 7-day free trial
Subscribe to Leidmotief | Leitmotif to keep reading this post and get 7 days of free access to the full post archives.