Both the German and Italian music press found it necessary to slam David McVicar's Rheingold in Milan. As if non-interpretative theater no longer has a right to exist. The majority of opera critics seems to be addicted to the postmodern interpretation frenzy that allows them to dish out the most individualisti…
Keep reading with a 7-day free trial
Subscribe to Leidmotief | Leitmotif to keep reading this post and get 7 days of free access to the full post archives.