“Is the opera a work of social criticism in the 19 century naturalistic tradition ? Or is it rather a modern drama about psychological destruction ? Is the faith of Katia intended by Janacek to be seen as a beacon for social progress and humanitarian reform? Or is it a personal account of neurotic collapse ? Is the reality of the social background crucial or incidental? Do Russia, the Volga, the date, matter ?” David Pountney once wondered about this. That pretty much sums up the options for a modern director of Katia Kabanova.
Keep reading with a 7-day free trial
Subscribe to Leidmotief | Leitmotif to keep reading this post and get 7 days of free access to the full post archives.