Author: Johan Uytterschaut
Following the world premiere of Brett Dean’s Hamlet in Glyndebourne in 2017, The Guardian wrote: “New opera doesn’t often get to sound this good”. Allow me to find this a problematic statement. In a sense even gratuitous. Even if it could be true. Let…
Keep reading with a 7-day free trial
Subscribe to Leidmotief | Leitmotif to keep reading this post and get 7 days of free access to the full post archives.